“The Burnt Orange Heresy” is a film that exists firmly within the domain of art history and high society and is intimately concerned with ideas of visual imagery, criticism, philosophy, and the normativity of facts and meaning.
Matthew Lind has always been interested in architecture. Well, he thought that was what he signed up for when he enrolled in a three-year archaeology course. It’s a shame his knowledge of Egyptian aqueducts won’t help him review Richard Linklater’s adaptation of the Maria Semple novel, “Where’d You Go, Bernadette?”.
As more movie theatres slowly open their seats for the masses of hungry cinema-goers, is ‘King of Staten Island’ going to stand out, or like its protagonist, struggle to stand out of obscurity?
Dealing with the ebbs and flows of family life, and the shattering reality of modern teenagerhood, ‘Waves’ is a fresh take on a worn genre. Richard reviews.
As restrictions ease in Australia, Owen’s marathon isolation rewatch of the MCU comes to an end. Sometimes the best answer to hardship is to consume media like there is no tomorrow.
Owen’s isolation-inspired MCU rewatch enters phase 3, which is fittingly broken into two parts to preserve his sanity. Will he make it to the end game?
Owen’s MCU Rewatch enters Phase 2. Will he survive against the forces of evil, namely ‘Thor: The Dark World’?
After spending these past long days in quarantine, Owen decided to rewatch the 23-film-strong MCU. Does Phase 1 still hold up?
Owen’s DEEP/DIVE into 2000’s “High Fidelity” celebrates the film in the only way that makes sense.
Pixar’s “Onward” brings us a fantasy world made mundane through technology, featuring an epic brotherly quest on the road with a heartfelt story at its center.
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