The Day Shall Come – Review [BIFF]
Chris Morris is as uncompromising as ever in his dark FBI satire ‘The Day Shall Come’, reaching absurd heights but not without its moments of sincerity.
Chris Morris is as uncompromising as ever in his dark FBI satire ‘The Day Shall Come’, reaching absurd heights but not without its moments of sincerity.
Next off the ranks at BIFF, Paul Ireland’s ‘Measure for Measure’ sees Shakespeare projected onto Australian city streets with largely successful results.
Mirrah Foulkes’ debut feature ‘Judy and Punch’ kicks off this year’s BIFF not with a heavy hand but with a flourish. Ciaran reviews.
The Brisbane International Film Festival kicks off with Celeste, a moody drama set in the heart of the stunning rainforests of far north Queensland.
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