Do you miss Shyamalan’s ‘good old days’, where his signature plot twists made entire cinemas gasp in gleeful surprise? Have you lost hope in his talents, after a string of terribly received box-office bombs? Ciaran reviews Split, M. Night Shyamalan’s latest.
Scorsese’s Silence exudes gravitas, diving headlong into a messy and painful conflict of religions and cultures.
Hollywood’s latest fictionalisation of big business scandals features a lavish production and a committed performance from Matthew McConaughey, though the film falters the further it strays from his character.
The newest addition to J.K. Rowling’s cinematic wizarding universe charms us with endearing characters and a cute platypus creature.
Matt Lind unpacks the latest venture from Russian filmmaker Kirill Serebrennikov, which provides a provocative treatment of mental health, sexuality, and belief.
Imperfect but resonant, the latest entry in a long line of Ben-Hur film adaptations wears its spectacle on its sleeve.
Ricky Gervais’ obnoxious bumbling alter ego is back, and it’s just as awkward as ever.
Though flashy and fleeting on the surface, Nerve strives for deeper resonance in the age of superficiality.
Welcome to the Sausage Party! You’ll never see the popcorn in the same way…
Good music and stunning visuals can’t drive a story by themselves, but they can sure try.
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