Let Him Go – Review

November 25, 2020 Owen Morawitz 0

“Let Him Go” is a by-the-numbers, revenge-action thriller driven by relatable moral conundrums and human emotional impulses. Owen reviews.

Irresistible – Review

October 9, 2020 Owen Morawitz 1

While Irresistible effectively skewers bi-partisan hackery, media complicity, and political grandstanding, it’s a shame that director Jon Stewart’s eye for satire is quickly bogged down in wistful nostalgia for a bygone era.

dirt music review

Dirt Music ⁠–⁠ Review

October 7, 2020 Meaghan Springett 0

Tim Winton’s novels are known for their nuanced depictions of turbulent relationships alongside a dangerous landscape. The film, however, isn’t quite so nuanced, and left Meaghan wishing a shark attack would liven up the lingering establishing shots.

Elona Holmes – Review

September 28, 2020 Kelsey Clark 0

Now in the public domain, Sherlock Holmes is up for interpretation. A feminist twist on a classic, does Enola Holmes breathe life into the franchise, or take away from it?

slim and I

Slim and I – Review

September 10, 2020 Zaity Salman 0

New documentary Slim and I attempts to tell the story of Joy McKean, Slim Dusty’s wife. But does it deliver the goods? Read our review.

Tenet – Review

August 22, 2020 Owen Morawitz 0

Tenet, Christopher Nolan’s newest blockbuster, is his most overt foray yet into the exploration of time as a narrative agent unto itself.

Babyteeth – Review

July 22, 2020 Owen Morawitz 0

Babyteeth is a heart-warming and emotionally affecting drama with a resonant ending that will stick with you long after the final credits wash ashore.

The Burnt Orange Heresy – Review

July 18, 2020 Owen Morawitz 0

“The Burnt Orange Heresy” is a film that exists firmly within the domain of art history and high society and is intimately concerned with ideas of visual imagery, criticism, philosophy, and the normativity of facts and meaning.

Where’d You Go, Bernadette? – Review

July 17, 2020 Matthew Lind 0

Matthew Lind has always been interested in architecture. Well, he thought that was what he signed up for when he enrolled in a three-year archaeology course. It’s a shame his knowledge of Egyptian aqueducts won’t help him review Richard Linklater’s adaptation of the Maria Semple novel, “Where’d You Go, Bernadette?”.