“The Burnt Orange Heresy” is a film that exists firmly within the domain of art history and high society and is intimately concerned with ideas of visual imagery, criticism, philosophy, and the normativity of facts and meaning.
“Seberg” is not quite a Jean Seberg biopic, opting instead to tell a sliver of her story that reflects more on the world that she inhabited. Is this the film Seberg’s life deserves?
Matthew Lind was hoping to get some tips from The Good Liar about how to trick Santa Claus into thinking he deserved a new bike for Christmas. Instead, he got a British crime thriller starring Ian McKellen and Helen Mirren, which is close enough.
Chadwick Boseman is a star. 21 Bridges is a good film. Matt wrote a review. You should read it.
Bahamian director Kareem Mortimer tackles the challenging subject of people-smuggling in his home country. Is he punching above his weight, or one to watch? Sarah reviews.
Though Miles Doleac’s indie horror ‘Hallowed Ground’ treads a somewhat beaten path, the journey is surprisingly fresh. Sarah reviews.
After the smash success of ‘Get Out’, Jordan Peele is back in the writer/producer/director’s triple-chair-contraption with a film that tells you to “Watch yourself”. Is ‘Us’ another winner for Peele?
Owen talks with Australian director David Barker after the premiere of his debut feature film ‘Pimped’. David takes us deep into the process of creating the film and what he learned from it, as well as his thoughts on the film’s critical reception and what he’s enjoying in current cinema.
A challenging and intense thriller, David Barker’s feature film debut ‘Pimped’ tackles rich issues surrounding identity and masculinity without pulling its punches.
Saved by an interesting character dynamic and some excellent performances, Greta is the kind of psychological thriller that will keep you entertained throughout but probably won’t keep you up at night.
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