Judy and Punch – Review [BIFF]
Mirrah Foulkes’ debut feature ‘Judy and Punch’ kicks off this year’s BIFF not with a heavy hand but with a flourish. Ciaran reviews.
Mirrah Foulkes’ debut feature ‘Judy and Punch’ kicks off this year’s BIFF not with a heavy hand but with a flourish. Ciaran reviews.
Matthew Lind has never been to New Jersey, but he loves places where he could probably get murdered, so he saw the new horror film, Clinton Road. Click to find out whether it was a Garden State or just a state.
An indie effort with a strong vision, Keith Sutliff’s ‘The Refuge’ strikes a distinct mood—but does it have the substance to back it up? Zaity reviews.
Though Miles Doleac’s indie horror ‘Hallowed Ground’ treads a somewhat beaten path, the journey is surprisingly fresh. Sarah reviews.
Aussie flick ‘Locusts’ aims to pick up where Aussie classics such as ‘Wake in Fright’ have left off. A national treasure or embarrassment? Izzy reviews.
Brie Larson; Oscar-winning actress and recent superhero, has decided to give it a try behind the camera. Were her efforts warranted, or is she best served on-screen? Nic reviews.
Owen talks with Australian director David Barker after the premiere of his debut feature film ‘Pimped’. David takes us deep into the process of creating the film and what he learned from it, as well as his thoughts on the film’s critical reception and what he’s enjoying in current cinema.
A challenging and intense thriller, David Barker’s feature film debut ‘Pimped’ tackles rich issues surrounding identity and masculinity without pulling its punches.
After viewing the indie sci-fi thriller ‘Curvature’, we decided to sit down with Diego Hallivis, discussing Mexican directors, independent film-making, and brotherhood.
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