Eternals – Review
Marvel’s Eternals is a muddled misfire of cosmic proportions that constantly strains under the weight of its own expansive mythology.
Marvel’s Eternals is a muddled misfire of cosmic proportions that constantly strains under the weight of its own expansive mythology.
Disney’s ‘Jungle Cruise’ is one of the first cabs off the rank for post-pandemic cinema. The question now is not just whether it is worth seeing, but is it worth seeing in the cinema?
Wonder Woman 1984 is a follow-up to one of the few promising entries to the DCEU. Does it continue their upwards trend, or dial them back to a past we would rather forget?
“Let Him Go” is a by-the-numbers, revenge-action thriller driven by relatable moral conundrums and human emotional impulses. Owen reviews.
Tim Winton’s novels are known for their nuanced depictions of turbulent relationships alongside a dangerous landscape. The film, however, isn’t quite so nuanced, and left Meaghan wishing a shark attack would liven up the lingering establishing shots.
“The Burnt Orange Heresy” is a film that exists firmly within the domain of art history and high society and is intimately concerned with ideas of visual imagery, criticism, philosophy, and the normativity of facts and meaning.
Matthew Lind has always been interested in architecture. Well, he thought that was what he signed up for when he enrolled in a three-year archaeology course. It’s a shame his knowledge of Egyptian aqueducts won’t help him review Richard Linklater’s adaptation of the Maria Semple novel, “Where’d You Go, Bernadette?”.
As restrictions ease in Australia, Owen’s marathon isolation rewatch of the MCU comes to an end. Sometimes the best answer to hardship is to consume media like there is no tomorrow.
Owen’s isolation-inspired MCU rewatch enters phase 3, which is fittingly broken into two parts to preserve his sanity. Will he make it to the end game?
Owen’s MCU Rewatch enters Phase 2. Will he survive against the forces of evil, namely ‘Thor: The Dark World’?
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