Wonder Woman 1984 – Review
Wonder Woman 1984 is a follow-up to one of the few promising entries to the DCEU. Does it continue their upwards trend, or dial them back to a past we would rather forget?
Wonder Woman 1984 is a follow-up to one of the few promising entries to the DCEU. Does it continue their upwards trend, or dial them back to a past we would rather forget?
‘Misbehaviour’ begs the question, can a film be packed with a nuanced, well-executed and timely message and also just… you know… fine?
He’s got the hair of Maurice, the solo career of Robin, and the baritone of Barry. Matthew Lind is here to review the new documentary, “The Bee Gees: How Can You Mend a Broken Heart” by Frank Marshall. How deep did his love go? Was it a Tragedy or… I can’t think of a song with something really positive in the title. Click to find out!
“Let Him Go” is a by-the-numbers, revenge-action thriller driven by relatable moral conundrums and human emotional impulses. Owen reviews.
While Irresistible effectively skewers bi-partisan hackery, media complicity, and political grandstanding, it’s a shame that director Jon Stewart’s eye for satire is quickly bogged down in wistful nostalgia for a bygone era.
Tim Winton’s novels are known for their nuanced depictions of turbulent relationships alongside a dangerous landscape. The film, however, isn’t quite so nuanced, and left Meaghan wishing a shark attack would liven up the lingering establishing shots.
Now in the public domain, Sherlock Holmes is up for interpretation. A feminist twist on a classic, does Enola Holmes breathe life into the franchise, or take away from it?
The most excellent duo is back in “Bill & Ted Face the Music”, but can they recapture the tonal magic that cemented their legacy?
New documentary Slim and I attempts to tell the story of Joy McKean, Slim Dusty’s wife. But does it deliver the goods? Read our review.
Tenet, Christopher Nolan’s newest blockbuster, is his most overt foray yet into the exploration of time as a narrative agent unto itself.
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